Granted unprecedented access to Mr Sakamoto’s life and work, Stephen Nomura Schible’s sensitive and illuminating film stands not only as a portrait of an extraordinary career, but as one of the most intimate examinations of the creative process ever committed to film. As Mr Sakamoto returns to music following his battle with throat cancer, his haunting awareness of his own life crisis, as well as that of his country and the whole world, leads to a creation of a resounding new masterpiece.
A constant innovator, Mr Sakamoto’s music has evolved in lockstep with his evolution as an artist and thinker.įollowing the Fukushima nuclear disaster, Mr Sakamoto became an iconic figure in Japan’s social movement against nuclear power and an unofficial spokesperson for the fear, anger and anxiety of the Japanese people. And although my Sonos is no match compared to the listening bar, Sakamoto’s music transcends standard commercial speakers, making me feel like I’m back in my favorite place once again. Highly recommended.One of the most important artistic minds of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop star, to actor, to Oscar-winning film composer. Ryuichi Sakamoto’s infectious curiosity about nature and the music of life, make for an engaging and moving subject. As if claiming an unseen victory in the bells tolling amidst the silence of the frozen surrounds, he pumps his fists in the air and bounces on his toes. Documentary on genius Japanese composer Ryuichi Sakamoto, whose career encompasses iconic film. In conversation, Sakamoto is quietly spoken and reflective though he’s prone to bouts of enthusiastic wonder such as one sequence where he records a frozen Antarctic stream, revelling in the fact that these waters are ‘pre-industrial’ and untouched by modern machines moments later he stands beneath a huge Antarctic boulder and clangs two hand-held bells together – they chime like tuning forks, shrill and reverberating. Find where to watch Ryuichi Sakamoto: Coda in United Kingdom.
Now in remission, we follow him on his daily routine, as he muses about his mortality and his shock at not knowing quite what to do with himself during this extended hiatus. Constantly working, Sakamoto has also written for various anime and games.Īll this was brought to a grinding halt in 2014 when Sakamoto was diagnosed with throat cancer. He would also go on to compose the scores for many films, such as Bertolucci’s The Last Emperor and The Sheltering Sky, Brian De Palma’s Snake Eyes and Femme Fatale and Alejandro González Iñárritu’s The Revenant.
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Starting his solo career in the late seventies, while at the same time collaborating in the electronic three-piece Yellow Magic Orchestra, Sakamoto also established his tastes for working across a variety of media when he composed the music for (and starred in) Nagisa Oshima’s Merry Christmas Mr. Rent Ryuichi Sakamoto: Coda (aka Untitled Ryuichi Sakamoto Documentary Project) (2017) film for FREE as part of our trial offer. He joyfully tinkers with a dead piano key that emanates a muffled chime and nods agreeably. These days, he’s more concerned with the organic sounds of nature technology still features though, as exemplified in his wonder at the discovery of an intact grand piano in an abandoned building that was consumed by the tsunami floods. Earlier in his career, he was fascinated by degraded technology, happy accidents that can create strange and wonderful soundscapes. Ryuichi Sakamoto: Coda takes a thoughtful look at the composers life and legacy that should prove affecting and illuminating for novices as well as longtime fans. He’s a collector, of recorded sounds from nature and technology. Along with a group of environmental activists, clad in hazmat suits and masks, Sakamoto searches through abandoned buildings and remote beaches, in search of found objects that may provide interesting sounds that can be recorded. Ryuichi Sakamoto cuts a solitary figure, striding silently along a desolate irradiated beach in Japan’s Fukushima Prefecture, not far from the nuclear power facility that was damaged during the 2011 tsunami.
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